Staff-and-dagger and two staffs against spears, and the Master with the ghiavarina — filed by every manuscript with the cavalry material.

Folios

01
Getty 31rThe Master with staff and dagger, and the players' deception
[11][12]
02
Getty 31vThe staff Master's play, and the two staffs
[13][14][15]
03
Getty 46rThe Master with the ghiavarina against three companions
[16][17][18][19]

Folio summary — Spear vs Other Weapons

Getty folioPlatesContentGetty imagesVerse witnesses
31r[11], [12]Staff and dagger against two spears; the players' deception[11]PD 15a · Paris 8r
31v[13], [14], [15]The Master's dagger thrust; two staffs and a daggerPD 15a · Paris 8r–8v
46r[16]–[19]The Master with the ghiavarina against three companionsPD 34a · Paris 6r–6v

Three Getty folios, 9 plates, 9 illustrations — and the plate numbers run [11]–[19], continuing the Spear section rather than restarting, because the two sections are one numbered run in the sources. The folios are not neighbors: 31r and 31v sit in the foot-combat material, while 46r is interpolated inside the Getty's mounted section, where every other witness files it too.

One question runs through all nine plates: what does a man do when the other man's weapon is longer? The answer never changes — take a low guard off the line ([Spear-Other 11]'s "almost the Full Iron Gate", [Spear-Other 17]'s Boar's Tooth), let him commit, beat and step in one pace, and finish inside his reach. What changes is only what is in the Master's hands: a staff and a dagger, two staffs and a dagger, a ghiavarina. Fiore says as much himself at [Spear-Other 17] — "what I do with the ghiavarina I would do with a staff and with a sword" — which makes the section a demonstration rather than a curriculum (Tactical grouping §9).

The witnesses split cleanly by function. The Getty alone carries the counters — both of 31v's, addressed to the loser after the fact — and alone carries [12], the one plate in the section spoken by the losing side, whose reversed-spear deception exists in no other copy. The Morgan keeps the Masters' statements and drops the plays that resolve them, condensing [11] into a different play in the process. The verse witnesses give the outcome and the boast, skip both [12] and [16], and reserve their expansion for Roland and Pulicane. And twice the images and the text disagree about which plate they belong to ([11]/[12], [16]/[17]) — the figures crowding forward onto the earlier number both times.

The Steel Marginalia · HEMA Study Group Notes in the margins. Truth in the bind.