The prefatory material: the Italian prose preface (biography, the five duels, the Este dedication), the Pisani Dossi prologues, and the Segno with the four animals.

Folios

01
Getty 1r–2rThe First Italian Preface
prose
02
Pisani Dossi 2a–2bThe Latin Preface and the Second Italian Preface
prose
03
Getty 32r · Pisani Dossi 17a · Paris 1vThe Seven Swords (the Segno)
prose

Folio summary — Preface

FolioContentGetty imagesWitnesses
Getty 1r–2rFirst Italian Preface: biography, five duels, the oath, the case for the book, Este dedication, grappling introductionGetty 1rGetty · Morgan · San Daniele (1699)
Pisani Dossi 2a–2bLatin Preface (Flos Duellatorum) + Second Italian Preface (dated 1409)Pisani Dossi only
Getty 32r · PD 17a · Paris 1vThe Seven Swords / Segno: seven blows, four virtues, four animalsGetty 32rGetty · Pisani Dossi · Paris

Three pages, three different books. The prefatory material is where the witnesses least resemble one another: the prose family opens with a man's career and his oath; the Pisani Dossi opens with a title and a date; the Paris opens with a picture. Only the Segno is common ground — and it is the emblem, not the prose, that all three families agree the art begins with. Everything the world knows about Fiore's life comes from a page the verse manuscripts do not have; everything it knows about when he wrote comes from a page the prose manuscripts do not have.

The Steel Marginalia · HEMA Study Group Notes in the margins. Truth in the bind.